Sunday, January 29, 2012

One: Multicultural Literature


I teach in a school where every class is supposed to teach from a multicultural perspective.  Sometimes I wonder if we should have spent more time from the beginning talking about what we mean by multicultural and what we hope to gain from this type of education.  I have noticed things like “Multicultural Night” at my school, where students bring different types of food from various countries they have studied, but this seems to be the extent of how many teachers address learning about other cultures.  Since I teach English, it seems a little more natural for me to teach about foreign places, and other subjects like history and languages other than English also have that advantage.  I’m sure other teachers have other projects they teach and present in the classroom, but for some reason all I ever get to see are the same things again and again.  There has to be a better way than food and flags…

I know that most of my literature classes taught the classic cannon which is predominantly white, male, and most of them are dead.  Most of my seniors have a hard time relating to this literature, but this is still what we teach in high school.  Although I understand the importance of teaching British literature, and understanding the history of the English language, we spend so much time on the first section of British history, we rarely get to the portion of British history that deals with England as a conquering nation.  The students do not deal with the post-colonial side, so if they are from one of the conquered nations this is problematic. 

For years, as English teachers we have taught most texts from the New-Criticism style of reading a text and this is doing a disservice to our students.  Authors like Deborah Appleman, in the book Critical Encounters in High School English, suggests teaching high school students to use multiple ways of reading a text.  Her presentations on the web includes multiple ideas about using “lenses”  to teach students multiple theories to view a text in order to shape ideology.  Tim Gillespie also has a similar book titled Doing Literary Criticism:  Helping Students Engage with Challenging Texts. Both of these books are easy to use and have helped me and my students understand multicultural texts.  The books I mentioned have provided new ways of teaching students to view a text in order to see the subject matter.  In this way the students have felt empowered by the literature- exactly in the way the text describes.

Although sometimes teachers, especially English teachers are resistant to change, the ideas presented in these books help students see there are new ways of looking at a text.  It is important, as Hytten points out in “The Promise of Cultural Studies of Cultural Education” that these texts are not limited to the novels I was taught and they are not limited to novels.  Students need to be exposed to different types of media and given the opportunities to respond critically to them. 

Last semester I took a class about post-colonial literature and I’m hoping that over the next few semesters I will feel more comfortable incorporating some of these texts into my curriculum.  I currently teach works from all over the world, all written in translation.  This semester my students are working on orals presentations about setting and the impact of setting on the characters in the works we’ve read.  We’re looking at all aspects of setting:  religion, economics, geography…

Any ideas anyone else has for teaching world literature would be welcomed!

Appleman, D. (2009). Critical encounters in high school English. New York: National Council of Teachers of English.
Gillespie, T. (2010). Doing literary criticism: helping students engage with challenging texts. United States: Stenhouse Publishers.
Hytten, K. (1998). The promise of cultural studies of education. Educational Studies, 29(3), 247-65.
Noel, J. (2012). Classic edition sources: Multicultural education. (Third ed.). Sacramento: McGraw-Hill/Dushkin.

3 comments:

  1. I think you hit the nail on the head when you said "there has to be a better way than food and flags." As educators, we can sometimes be narrow minded in our instruction, family involvement activities, and our project based learning. "Food and flags" sound fun, but what are students really learning about other cultures from those experiences? My guess would be students are learning basic knowledge or exaggerated stereotypes. I support the idea of having students look at multiple perspectives by using "lenses." Having students connect themselves to the text by assuming roles and personalities is essential to truly understanding multiple perspectives.

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  2. I also like the idea of "lenses.” I teach science and there is really no room to study anything other than the curriculum in our class. We could teach about inventors/discoverers and their culture, but we do not really even teach about the background of scientists, but their theories. I think it would be great to be able to incorporate that into the class because students can see that not all great inventors or scientists are white males. Students may identify and become more interested in science.

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  3. One way to add meaning and context to a world literature text might be to surround it with primary source documents from its culture and time period. I took a Shakespeare course in college where the professor supplemented the plays with speeches by Elizabeth I, "medical" treatises on hysteria, ethnographic studies of the "Amazon women," etc, all written in 16th century England. Having that background information gave a ton of new depth and complexity (!) to Shakespeare's characters and their relationships. This strategy might help make the ravages of colonialism and the struggles of post-colonialism more concrete for unworldly teenagers. It might provide them with otherwise inaccessible lenses through which to view those texts.

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